Varde Museums, BIG-Bjarke Ingels Group, and Tinker Imagineers celebrate the opening of TIRPITZ – a sanctuary in the sand that acts as a gentle counterbalance to the dramatic war history of the site in Blåvand on the west coast of Denmark. 

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The new TIRPITZ transforms and expands a historic German WWII bunker into a groundbreaking cultural complex comprising four exhibitions within a single structure, seamlessly embedded into the protected shorelands of Blåvand in western Denmark.

TIRPITZ – A SANCTUARY IN THE SAND THAT ACTS AS A GENTLE COUNTERBALANCE TO THE DRAMATIC WAR HISTORY OF THE SITE IN BLÅVAND ON THE WEST COAST OF DENMARK | LAURIAN GHINITOIU
TIRPITZ IS AN ANTITHESIS TO THE HEAVY VOLUME OF THE WWII BUNKER OF THE ATLANTIC WALL | MIKE BINK PHOTOGRAPHY
TIPRITZ ACTS AS A GENTLE COUNTERBALANCE TO THE DRAMATIC WAR HISTORY OF THE SITE IN BLÅVAND ON THE WEST COAST OF DENMARK | MIKE BINK PHOTOGRAPHY

The construction of the 2,800 m2 ’invisible museum’ expected to attract around 100,000 visitors annually.

“The new TIRPITZ is planned, built and furnished as a portal to the Danish West Coast’s treasure trove of hidden stories. It has been our goal to create a humble, world-class attraction surprising its visitors with new perspectives on the majestic landscape. Our guests deserve the best; with BIG’s limitless and inviting architecture and with Tinker Imagineers’ wondrous and playful exhibitions, I feel we have achieved this. TIRPITZ is an incredible, one-of-a-kind experience – astonishing, dramatic, hidden – almost invisible” says, Claus Kjeld Jensen, Director of Varde Museum. 

TIRPITZ MUSEUM EMBEDDED IN THE CHARACTERISTIC DUNE LANDSCAPE OF WEST JUTLAND, DENMARK | MIKE BINK PHOTOGRAPHY
AERIAL VIEW OF TIRPITZ | RASMUS BENDIX

As an antithesis to the heavy volume of the WWII bunker, the museum appears subtly as the intersection between a series of precise cuts into the landscape.

THE CENTRAL COURTYARD ALLOWS ACCESS INTO THE FOUR UNDERGROUND GALLERY SPACES THAT HAVE AN ABUNDANCE OF DAYLIGHT EVEN THOUGH THEY ARE LITERALLY CARVED INTO THE SAND | RASMUS HJORTSHOJ
CENTRAL COURTYARD OF TIRPITZ | COLIN JOHN SEYMOUR
THE SURROUNDING HEATH-LINED PATHWAYS CUT INTO THE DUNES FROM ALL SIDES DESCENDING TO MEET IN A CENTRAL CLEARING, BRINGING DAYLIGHT AND AIR INTO THE HEART OF THE COMPLEX | COLIN JOHN SEYMOUR

Contrary to the hefty and intrusive regelbau construction of the original artillery fortress – simply designed as an immense concrete block – the new TIRPITZ finely cuts into the dune and camouflages with the landscape. 

“The architecture of the TIRPITZ is the antithesis to the WWII bunker. The heavy hermetic object is countered by the inviting lightness and openness of the new museum. The galleries are integrated into the dunes like an open oasis in the sand – a sharp contrast to the Nazi fortress’ concrete monolith. The surrounding heath-lined pathways cut into the dunes from all sides descending to meet in a central clearing, bringing daylight and air into the heart of the complex. The bunker remains the only landmark of a not so distant dark heritage that upon close inspection marks the entrance to a new cultural meeting place” says, Bjarke Ingels, Founding Partner, BIG.  

TEMPORARY EXHIBITION ROOM | COLIN JOHN SEYMOUR
CENTRAL ROOM INSIDE THE TIRPITZ MUSEUM | RASMUS HJORTSHOJ

Upon arrival, the visitors will first see the bunker and as they approach, see the fine cuts and paths leading towards the center of the museum complex. The central courtyard allows access into the four underground gallery spaces that have an abundance of daylight even though they are literally carved into the sand. The exhibitions, designed by Dutch agency Tinker Imagineers showcase permanent and temporary themed experiences. Every gallery has its own rhythm, beating in sync with its storyline: high and low, night and day, good and bad, hot and cold, the passing of time.

WEST COAST STORIES TELLS 100,000 YEARS OF WEST COAST HISTORY AND IS TURNED INTO A NIGHTTIME 4D THEATRE TWICE AN HOUR | MIKE BINK PHOTOGRAPHY
WHEN NIGHT FALLS AT WEST COAST STORIES VISITORS ARE TAKEN ON AN EPIC JOURNEY | MIKE BINK PHOTOGRAPHY
AT THE HEART OF WEST COAST STORIES IS A HUGE LIFE BOAT STRANDED IN A SEA OF DUNES | MIKE BINK PHOTOGRAPHY
DETAILS OF THE DUNES AT THE NIGHT MODE OF WEST COAST STORIES | MIKE BINK PHOTOGRAPHY
ILLUMINATED DETAIL OF WEST COAST STORIES SHOW | MIKE BINK PHOTOGRAPHY

Army of Concrete tells the human stories in the shadow of Hitler’s enormous defense project, the Atlantic Wall, such as Anna’s, the girl who had a child with a German soldier; Gold of the West Coast is Western Europe’s most comprehensive exhibition of amber, presented in an enchanting steel forest. Along with its changing colours and sounds, the atmosphere of the rooms alternates between warm and cold: references to the history of amber; and West Coast Stories tells 100,000 years of west coast history and is turned into a nighttime 4D theatre twice an hour. The audio-visual theatre has visitors sit down in a lifeboat before taking them on a tempestuous journey through time.  

ONCE YOU ENTER THE CONCRETE BUNKERS, YOU STEP INTO THE PERSONAL SPACES OF THE DANES AND GERMANS WHO WORKED AND LIVED AROUND THE ATLANTIKWALL | MIKE BINK PHOTOGRAPHY
UNRULY BUNKER LANDSCAPE OF ARMY OF CONCRETE | MIKE BINK PHOTOGRAPHY
IN ARMY OF CONCRETE YOU’LL DISCOVER THE BUNKERS OF THE ATLANTIC WALL, BUT ALSO THE PEOPLE THAT ARE STRONGLY CONNECTED TO THEM | MIKE BINK PHOTOGRAPHY
ARMY OF CONCRETE TELLS THE HUMAN STORIES IN THE SHADOW OF HITLER’S ENORMOUS DEFENSE PROJECT, THE ATLANTIC WALL | MIKE BINK PHOTOGRAPHY

From the sunken galleries, visitors are able to walk into the historic bunker, which grounds the tale of an impressive war machine. In the dark visitors can play with light and activate shadow plays that reveal how the bunker should have functioned.

GOLD OF THE WEST COAST IS WESTERN EUROPE’S MOST COMPREHENSIVE EXHIBITION OF AMBER, PRESENTED IN AN ENCHANTING AMBER FOREST | MIKE BINK PHOTOGRAPHY
ALONG WITH ITS CHANGING COLOURS AND SOUNDS, THE ATMOSPHERE OF THE GOLD OF THE WESTCOAST ROOM ALTERNATES BETWEEN WARM AND COLD: REFERENCES TO THE HISTORY OF AMBER | MIKE BINK PHOTOGRAPHY
VISITORS DISCOVER ARTEFACTS AND MANY STORIES IN THE FAIRY-TALE TREES OF THE AMBER GALLERY (GOLD OF THE WESTCOAST) | MIKE BINK PHOTOGRAPHY

“TIRPITZ is a unique opportunity to combine nature and culture in a spectacular fashion. A visit to the museum is not a visit to an exhibition gallery, but a scenic journey through time and space of West Jutland. The idea is that the whole place itself comes to life following the rhythms of nature” says, Erik Bär, Founding Partner, Tinker imagineers.

SPOTLIGHT IN THE ORIGINAL TIRPITZ BUNKER | MIKE BINK PHOTOGRAPHY
IN THE DARK VISITORS CAN PLAY WITH LIGHT AND ACTIVATE SHADOW PLAYS THAT REVEAL HOW THE BUNKER SHOULD HAVE FUNCTIONED | ERIK BÄR, TINKER IMAGINEERS

The building consists of four main materials and elements which are also found in the existing structures and natural landscape of the area – concrete, steel, glass and wood.

FROM THE SUNKEN GALLERIES, VISITORS ARE ABLE TO WALK INTO THE HISTORIC BUNKER, WHICH GROUNDS THE TALE OF AN IMPRESSIVE WAR MACHINE | MIKE BINK PHOTOGRAPHY
THE ROOM OF ANNA AT THE ARMY OF CONCRETE, THE GIRL WHO HAD A CHILD WITH A GERMAN SOLDIER | MIKE BINK PHOTOGRAPHY

The walls of the exhibition rooms are made of concrete cast onsite, supporting the landscape and carrying the fascinating roof decks that cantilever out 36 m. The largest roof deck weighs about 1.090 ton and the complex roof structure is engineered by Swiss Lüchinger+Meyer. The main interior materials utilized throughout the gallery spaces are wood and hot rolled steel which is applied to all the interior walls. 6m tall glass panels face the outdoor courtyard, allowing natural daylight into the four exhibition spaces. 

THE DAY TIME MODE OF WEST COAST STORIES SHOWS MANY OBJECTS AND THEIR STORIES | MIKE BINK PHOTOGRAPHY
TREASURE ROOM OF GOLD OF THE WESTCOAST | MIKE BINK PHOTOGRAPHY

About BIG – Bjarke Ingels Group
BIG is a Copenhagen, New York and London based group of architects, designers, builders, and thinkers operating within the fields of architecture, urbanism, interior design, landscape design, product design, research and development. TIRPITZ contributes further to BIG’s experience in museum design, particularly in integrating landscape with cultural programs, while preserving the historic value and natural environment. In 2013, BIG completed the Danish National Maritime Museum, in which crucial historic elements are integrated in an innovative concept of submersed galleries. 

ARMY OF CONCRETE | MIKE BINK PHOTOGRAPHY

About Tinker imagineers
Tinker imagineers is an experience design and production agency from Utrecht, The Netherlands. It celebrated its 25th anniversary in 2016. Rooted in cognitive psychology, Tinker mixes the latest insights in human sensemaking with the storytelling and creative use of media technology. With a team of around forty consultants, designers, content and multimedia developers and producers Tinker realises museums, visitor centres, and experiences for business and community organisations and has a broad national and international portfolio. Recently they renewed Pete Mondrian’s house of birth with an immersive, multimedia experience. 

A VISIT TO THE ROOMS AT ARMY OF CONCRETE IS AN INVESTIGATION INTO THE BLACK AND WHITE NATURE OF WAR AND ALL THE GREY AREAS IN BETWEEN | MIKE BINK PHOTOGRAPHY

Facts & Credits
Project title  TIRPITZ Museum
Location  Blåvand, Denmark
Size  2,800 m2
Client  Varde Museums
Design  BIG-Bjarke Ingels Group (architecture), Tinker Imagineers (exhibitions design)
Collaborators  Kloosterboer Decor, AKT, BIG IDEAS, Fuldendt, Lüchinger+Meyer, COWI, Svend Ole Hansen, Gade & Mortensen Akustik, Bach Landskab, Ingeniørgruppen syd, Kjæhr & Trillingsgaard, Pelcon
Photography  Mike Bink Photography, Laurian Ghinitoiu, Colin John Seymour, Erik Bär, Rasmus Hjortshoj, Rasmus Bendix


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