Neri&Hu Design and Research Office designed Junshan Cultural Center in Beijing, China crafting two sequences of interlocking journeys while merging architecture harmoniously with nature. 

-text by the authors

PEDRO PEGENAUTE

“Inhabitants are spared the boredom of following the same streets every day… the network of routes is not arranged on one level but follows instead an up-and-down course of steps, landings, cambered bridges, hanging streets. Combining segments of the various routes, elevated or on ground level, each inhabitant can enjoy every day the pleasure of a new itinerary to reach the same places.” 

                                   – Italo Calvino, Invisible Cities

PEDRO PEGENAUTE

Junshan Cultural Center is located just outside of Beijing in the midst of the undulating mountain ranges and meandering rivers near the Miyun Reservoir. Originally just a typical two-story sales building on the outskirts of Beijing, Neri&Hu was asked to transform this donut-shaped building into an iconic clubhouse and sales center. Neri&Hu took advantage of the existing courtyard typology by crafting two sequences of interlocking journeys, one for clubhouse member, and one for sales center guests. All programmed spaces are designed such that they are in proximity to nature. The layering of the primary courtyard and smaller gardens allow the architecture to merge harmoniously with nature.  

PEDRO PEGENAUTE
PEDRO PEGENAUTE

Drawing inspiration from its context, the architecture combines traditional northern architecture with contemporary architectural language and transforms into a new interpretation of architectural expression.

PEDRO PEGENAUTE
PEDRO PEGENAUTE

The building quietly rises out of the water as a brick mass with carved out spaces for programs interlocked with gardens that blur the boundary between inside and outside. On the façade, warm-toned wood pattern aluminum panels form a veil that softens the heaviness of the brick facade. Moments of the screen connects with each interior space, creating a façade that is spontaneous and different on every face. In terms of materiality, traditional gold brick tiles form the foundation of the building mass, extending from exterior landscape into the interior “in-between” spaces.

PEDRO PEGENAUTE
PEDRO PEGENAUTE

With brick and wood panels as the primary backdrop for the interior, a common theme throughout the interior is the sculpted ceiling. 

PEDRO PEGENAUTE
PEDRO PEGENAUTE

Programmatically, the cultural center provides a number of luxurious and spacious amenities for its members. It includes a 100-person multi-purpose hall for events, a spacious business lounge and bar, a feature library, children’s reading room, private function room, family media room, a red-wine and cigar lounge bar and a rooftop deck. Part of the cultural center is functioning as a sales center. A double-height reception welcomes potential buyers to embark on a journey through the media room, winter garden, then upstairs across a bridge over the courtyard to a generous sales presentation lounge complete with VIP rooms, bar and children’s playroom. One of the most prominent spaces in the clubhouse is an art gallery, equipped with a series of hanging moveable walls for a flexible display system. The sculpted ceiling above gives some visual connection to the upper level, while a large glass picture window allows the space to extend into the courtyard.

XIA ZHI
PEDRO PEGENAUTE

On the second floor, a generous yet inviting private dining room complete with a bar and show-kitchen allows members to rent out the space for special functions. The red-wine and cigar lounge bar and rooftop deck on the third floor has an uninterrupted view of the surrounding mountainous landscape to west. Space comes alive with the many different geometric cuts carved out to interact with the sky and daylight such that each space is ever-changing when light is reflected off of the rich texture of Venetian plaster. The layering of customized furniture, refined brass metal detail, natural veins of stone accents, softness of fabric, and delicate lighting elements work together to compose a sense of understated luxury. 

PEDRO PEGENAUTE
PEDRO PEGENAUTE

About Neri&Hu Design and Research Office 

Founded in 2004 by partners Lyndon Neri and Rossana Hu, Neri&Hu Design and Research Office is an inter-disciplinary architectural design practice based in Shanghai, China. Neri&Hu works internationally providing architecture, interior, master planning, graphic, and product design services. Currently working on projects in many countries, Neri&Hu is composed of multi-cultural staff who speak over 30 different languages. The diversity of the team reinforces a core vision for the practice: to respond to a global worldview incorporating overlapping design disciplines for a new paradigm in architecture.

NERI&HU

Neri&Hu’s location is purposeful. With Shanghai considered a new global frontier, Neri&Hu is in the center of this contemporary chaos. The city’s cultural, urban, and historic contexts function as a point of departure for the architectural explorations involved in every project. Because new sets of contemporary problems relating to buildings now extend beyond traditional architecture, the practice challenges traditional boundaries of architecture to include other complementary disciplines.

Neri&Hu believes strongly in research as a design tool, as each project bears its unique set of contextual issues. A critical probing into the specificities of program, site, function, and history is essential to the creation of rigorous design work. Based on research, Neri&Hu desires to anchor its work on the dynamic interaction of experience, detail, material, form, and light rather than conforming to a formulaic style. The ultimate significance behind each project comes from how the built forms create meaning through their physical representations.

NERI&HU

Facts & Credits
Project title  Junshan Cultural Center
Design  Neri&Hu Design and Research Office
Location  Beijing, China
Area  4000 sqm
Design period  November 2017 – October 2018
Awards  Jury Prize Awards, Category : Cultural Space of the Year, 2020 FRAME Awards


RELATED ARTICLES