Grace of Intention: Photography, Architecture and the Monument
Oct 15 — Dec 23, 2015

Monuments are deliberate gestures—objects or structures created to commemorate an event, person or era. Their meaning is usually imposed, and they often serve as focal points for aspirational civic and political attributes like valor and sacrifice, or to underscore a foundational political narrative. But their meaning can transform, changing over time as the relevance of their symbolism ebbs and flows due to social and political shifts. 
Like monuments, architecture and photography are also inflected with a grace of intention, and both have the ability to commemorate or represent a nation, event, time or place. The act of photographing monuments and buildings transforms them, sometimes revealing some of the original qualities and more closely evoking the response that they were originally intended to have. And photographs have an inherent memorial quality. This group exhibition examines the work of international artists, some of whose work addresses actual monuments, some whom look at architecture and its relationship to memory and how its importance and symbolism can shift over time, and others approach the idea of the future monument.  
Geert Goiris / Iman Issa / Florian Joye / Nadav Kander / Jan Kempenaers / Basim Magdy / Nicolas Moulin / Ana Vaz
Cover photo credits: Jan Kempenaers, Spomenik #3 (Kosmaj), 2006 
Archisearch - Iman Issa, Material for a sculpture commemorating the victory of what initially appeared to be an inferior army, 2011IMAN ISSA, MATERIAL FOR A SCULPTURE COMMEMORATING THE VICTORY OF WHAT INITIALLY APPEARED TO BE AN INFERIOR ARMY, 2011
Archisearch - Geert Goiris, Ecologists Place, 2006GEERT GOIRIS, ECOLOGISTS PLACE, 2006
Archisearch - Nadav Kander, Priozersk XIV (I Was Told She Once Held An Oar), Kazakhstan, 2011NADAV KANDER, PRIOZERSK XIV (I WAS TOLD SHE ONCE HELD AN OAR), KAZAKHSTAN, 2011