From May 22 to September 20, 2015, the Nationalgalerie – Staatliche Museen zu Berlin presents a groundbreaking exhibition at Alte Nationalgalerie comparing the two art movements for the first time. From 1896, Berlin`s Nationalgalerie was the first museum to begin collecting Impressionist paintings under the leadership of museum director Hugo von Tschudi, ahead of museums in Paris and other cities. Tschudi`s successor, Ludwig Justi, went on to assemble a renowned collection of works by Expressionist artists in the former Kronprinzenpalais from 1918 onwards.
This comprehensive exhibition will trace the similarities and differences between the two movements. Over 160 Impressionist and Expressionist masterpieces, mainly by German and French artists, have been assembled from the collections of the Nationalgalerie and other international museums. The development of Impressionism is associated with artists including Claude Monet, Edgar Degas, and Pierre-Auguste Renoir in France, and with Max Liebermann, Lovis Corinth, and Max Slevogt in Germany. Expressionism, which mounted a strong counter-reaction to Impressionism, originated in Germany and was spearheaded by painters including Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, and Franz Marc.
The exhibition is organized according to subjects represented in both movements – Cities, Suburbs, and Pedestrians, Cafés, Dancers, and Cabaret Life, The Creation of Leisure, Still Life, Villas and Country Homes, Artists, Dandies, Connoisseurs, Patrons, and Collectors, etc. – and will occupy the middle floor of the Alte Nationalgalerie.
For more information: www.imexinberlin.de
CAMILLE PISSARRO / THE BOULEVARD MONTMARTRE ON A WINTER MORNING, 1897 / OIL ON CANVAS, 64.8 X 81.3 CM / (C) THE METROPOLITAN MUSEUM OF ART
CAMILLE PISSARRO / THE BOULEVARD MONTMARTRE AT NIGHT, 1897 / OIL ON CANVAS, 53.3 X 64.8 CM / (C) THE NATIONAL GALLERY, LONDON
CLAUDE MONET / CHARING CROSS BRIDGE, 1899 / OIL ON CANVAS, 64.8 X 80.6 CM / (C) CARMEN THYSSEN-BORNEMISZA COLLECTION ON LOAN AT THE MUSEO THYSSEN-BORNEMISZA
CLAUDE MONET / EN NORVÉGIENNE (THE BOAT AT GIVERNY), AROUND 1887 / OIL ON CANVAS, 97.5 X 130.5 CM PARIS, MUSÉE D`ORSAY / GIFT OF PRINCESSE EDMOND DE POLIGNAC, 1944 / (C) RMN-GRAND PALAIS (MUSÉE D`ORSAY) / HERVÉ LEWANDOWSKI
EDOUARD MANET / CHEZ LE PÈRE LATHUILLE, 1879 / OIL ON CANVAS, 92 X 112 CM / COLLECTION DU MUSÉE DES BEAUX-ARTS DE LA VILLE DE TOURNAI / (C) KIK-IRPA
EDOUARD MANET / IN THE CONSERVATORY, 1878/79 / OIL ON CANVAS, 115 X 150 CM / (C) BPK / STAATLICHE MUSEEN ZU BERLIN, NATIONALGALERIE / JÖRG P. ANDERS
MAX BECKMANN / STREET AT NIGHT, 1913 / OIL ON CANVAS, 90 X 70 CM / PRIVATE COLLECTION / (C) VG BILD-KUNST, BONN 2015
MAX PECHSTEIN / SITTING GIRL (MORITZBURG), 1910 / OIL ON CANVAS, 80 X 70 CM / STAATLICHE MUSEEN ZU BERLIN, NATIONALGALERIE / PHOTO: BPK / ROMAN MÄRZ (C) 2015 PECHSTEIN HAMBURG / TÖKENDORF
PIERRE-AUGUSTE RENOIR / BATHER WITH LOOSE BLONDE HAIR, AROUND 1903 / OIL ON CANVAS, 92.7 X 73.4 CM / ÖSTERREICHISCHE GALERIE BELVEDERE, WIEN / (C) BELVEDERE, WIENREAD ALSO: AA ATHENS VISITING SCHOOL 2015 / SYMMETRY SENTIENCE IN COLLABORATION WITH AKTO